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Paddington 2

Film · Family · Comedy
2017 · Paul King · 1h 43m
Paddington the bear wants to buy a rare pop-up book for Aunt Lucy's 100th birthday. A fading actor, played by Hugh Grant giving the best performance of his career, steals it and frames him. Paddington goes to prison. It is one of the warmest, most perfectly constructed studio films of the last twenty years, and it is absolutely not kidding about any of that.
  • Kindness as a craft problem.The movie takes a character whose defining trait is politeness and builds an entire action comedy around it without ever cheating. Paddington stays Paddington under pressure, and the plot has to bend around him instead of the other way around.
  • Hugh Grant as a revelation.He's playing a vain, past-his-prime actor, and it's a performance you can feel him enjoying in every frame. It's also, underneath the comedy, a very generous piece of work. He gives the movie a villain who is fully a person.
  • A belief that communities can be improved by one polite bear.The movie's thesis is that a neighborhood is shaped by the way people treat each other, and it stages that thesis at every scale, from the prison to the street Paddington lives on. The movie means it, and it doesn't feel naive.
  • Physical comedy built like a Swiss watch.The set pieces (the window-washing scene, the steam train sequence, the pink laundry) are designed with the precision of silent-era slapstick. The movie is doing real filmmaking. You just don't notice because you're laughing.
The Grand Budapest Hotel with a bear
Same rigor, same pastel color palette, same attention to frame composition and set design. Paddington 2 is warmer and more sentimental. Wes Anderson admirers tend to come back from this one surprised.
Babe: Pig in the City, the spiritual predecessor
Another sequel about a small polite animal adrift in a strange urban world, and another film that's secretly a masterpiece hiding inside a kids' movie. If you've ever defended Babe: Pig in the City to a skeptical adult, Paddington 2 will feel like home.
Amelie for the whole family
Both movies are about a character whose entire worldview is built on small acts of kindness toward strangers. Paddington 2 has a bigger plot engine, but the moral compass is in the same place.
They agree it's a masterpiece, full stop. Paddington 2 spent years as the highest-rated movie on Rotten Tomatoes, and the reviews that pushed it there weren't grading on a family-film curve. Critics kept writing about it as a serious comedy achievement, the rare sequel that improves on its predecessor, and a case study in how a director with specific taste can make a studio movie feel handmade. The consensus is that Paul King's direction is the hidden variable, that Hugh Grant's performance should have been treated as awards work, and that the final scene does something to people that they cannot quite account for.
The prison scenes, which nobody was ready for. The running joke is that Paddington 2 turns a gentle children's movie into a prison-reform comedy, and the tonal balance it pulls off has become a favorite subject of rewatches. People also talk about how the movie holds up on rewatches aimed at adults, and how it keeps showing up on end-of-year and end-of-decade lists from critics who do not otherwise make room for talking-bear movies. The other conversation is the credit sequence, which has its own reputation. If you've watched it, you know. If you haven't, stay through the credits.
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